Comments by zip
Hello Steve
In the analog world there was the Roland MPU-101
it features very interesting and various modes for a
midi in /four cv gate outs interface .
here is the link for the user manual: http://www.synthmanuals.com/manuals/roland/mpu-101/owners_manual/
the different modes are explained on page 18 and following pages.
Be sure i will never sell my MPU-101 butit would be great to find similar features in the Aleton Live world .
ps:
your delay and plyphonic pitcher are fantastic
In the analog world there was the Roland MPU-101
it features very interesting and various modes for a
midi in /four cv gate outs interface .
here is the link for the user manual: http://www.synthmanuals.com/manuals/roland/mpu-101/owners_manual/
the different modes are explained on page 18 and following pages.
Be sure i will never sell my MPU-101 butit would be great to find similar features in the Aleton Live world .
ps:
your delay and plyphonic pitcher are fantastic
Thank you for this nice tool
it works perfectly with unison big sounding mono synths
here are some ideas to make it even better:
-The first output could be the lowest note of the chord etc
-What about a round robbin sequential output of the 4 voices synced in time : 1/4 1/8 1/16 etc ?
it works perfectly with unison big sounding mono synths
here are some ideas to make it even better:
-The first output could be the lowest note of the chord etc
-What about a round robbin sequential output of the 4 voices synced in time : 1/4 1/8 1/16 etc ?
Hi
I modified the feeling of the VCAness knob by changing the Exponent value in live.dial inspector from the original value of 1.0
to a value of 0,2
this give excellent result .
I modified the feeling of the VCAness knob by changing the Exponent value in live.dial inspector from the original value of 1.0
to a value of 0,2
this give excellent result .
Thank you again for this very good and new audio device ,The fabulous lowpass gate ..
You coul do it even better .
1-The real device has a response who vary whith the length of the trigger signal ( classic response is for a 4mS pulse ) but shorter
pulses are useful for percussion synthesis .
2-The VCAness knob can give good sounding options but the knob response should be antiLogarythmic so more precision when closer to CW full.
3- This is a very good idea to have the LPG Send Ping separately.
It would be extremely interesting to have another LPG Send Ping who could trigger The LPG from an audio track with a dedicated trigger level knob .
zip
You coul do it even better .
1-The real device has a response who vary whith the length of the trigger signal ( classic response is for a 4mS pulse ) but shorter
pulses are useful for percussion synthesis .
2-The VCAness knob can give good sounding options but the knob response should be antiLogarythmic so more precision when closer to CW full.
3- This is a very good idea to have the LPG Send Ping separately.
It would be extremely interesting to have another LPG Send Ping who could trigger The LPG from an audio track with a dedicated trigger level knob .
zip
Great useful effect but where is that vactrol magic feeling ?
thank you anyway
zip
thank you anyway
zip
excellent
Excellent and very useful
is it based on a pitch to voltage algorythm ?
Thank you for sharing
is it based on a pitch to voltage algorythm ?
Thank you for sharing
works fine now , just had to make Beatstep input remote ON
thank you
thank you
oooops , it was working until i downloaded the last max (7.3.3)
now no more lights on the beatstep .....
now no more lights on the beatstep .....
Second life !
you give a second live to my Beatstep i did not use it any more .
Great
thank you
you give a second live to my Beatstep i did not use it any more .
Great
thank you
Very useful tool thank you
wherec an we find this monolisa patch ?
zip
wherec an we find this monolisa patch ?
zip
Thank you it is a very simple to set up solution for some surround mix in Live .
But the center position panning should be -3dB (not-6dB)to get constant power panning.
Anyway an LCR mix could be achieved sending also the track output to Live Master after summing it to mono using Live Utility Mono Preset set with +3dB gain .
i am still waiting for a 5 ,6,8 Channel panner based on the same idea .
But the center position panning should be -3dB (not-6dB)to get constant power panning.
Anyway an LCR mix could be achieved sending also the track output to Live Master after summing it to mono using Live Utility Mono Preset set with +3dB gain .
i am still waiting for a 5 ,6,8 Channel panner based on the same idea .
nice cosmetic but only the patch change works - no sysex is transmitted
simply usefull
i just modified the initial value of the hi cut to 20000Hz and the inititial volume to 0dB with the max inspector (then freeze the device and save)
But i dont know how to make the filters move faster with the mouse .